As the story occurs, Juliet is approaching her fourteenth birthday. Her birthday is "a fortnight hence", putting the action of the play in mid-July 1.
In tragedy the individual one person or a group is overwhelmed; in comedy the individual triumphs. In tragedy, as in comedy, five stages may be noted in the plot development: Let it not be thought for a moment that each of these stages is clearly differentiated. As a rule they pass insensibly into each other, as they do in life.
Especially is this true in a play like Romeo and Juliet, where the weaving of the plot is so close and compact. The Prologue briefly gives the setting and theme of the play and prepares us for a drama of pathos in which the destiny of two lovers is determined by fate and external circumstances, rather than by character.
Act I, Scene i. The thread of the feud action is here introduced with the peace-making Benvolio on the side of the Montagues and the fiery Tybalt on the Capulet side. The quarrel is suppressed when the Prince enters and, in the presence of the heads of the two houses which have thrice disturbed Verona's streets with broils, declares that death will be the penalty if civil peace is again threatened by their hatred.
This warning is a preparation for the tragic climax. The love action is suggested. The strangeness of Romeo's new mood is discussed by his parents and Benvolio. When Romeo enters, it is soon discovered that the cause is unrequited love.
Benvolio's determination to teach Romeo to forget this lady prepares the way for the change in the hero's feelings in the masquerade scene. Act I, Scene ii. The entrance of Juliet is prepared for; County Paris is a claimant for her hand.
Romeo consents to attend the Capulet masquerade. In the chance meeting of Romeo and Benvolio by the servant as he sets out to invite guests to the feast may be read the significance of the part played by accident in determining the outcome of the play.
Act I, Scene iii. Lady Capulet announces to her daughter in the presence of the garrulous nurse that Paris is seeking her in marriage and that she is to meet him that night at the feast. Act I, Scene iv. Mercutio joins with Benvolio in urging the reluctant Romeo to forget his sad love affair and to enter into the spirit of the feast.
The scene ends with a vague foreboding of the consequences hanging on the night's events. The complete mastery of fate over the destiny of these star-crossed lovers is emphasized in Romeo's helpless cry: The feast is on. Romeo catches sight of Juliet and immediately is in love with her.
Already the counteracting forces are at work. Tybalt, the chief antagonist, hearing his voice, recognizes him and is enraged that a Montague should dare attend a Capulet feast. He leaves the hall with a determination to punish this intrusion.
This is the motive to the complication of the feud action. Romeo and Juliet meet, love at sight, and part; and the dramatic entanglement has begun.
Act II, Scene i. This scene explains Romeo's presence in the next. Mercutio's observations about Rosaline and love in general show that his companions know nothing of the change in Romeo. Act II, Scene ii. By a masterly device the usual delays attending lovemaking are removed and the dramatic interest and entanglement intensified.
By chance, again, Juliet in her confession of love to the heavens and the night is overheard by her lover himself, and he comes to her call.A tragic flaw in literature refers to a shortcoming in a character's nature which leads to his or her downfall.
The Greek term for this is hamartia, and it is a literary technique used by writers. Arthur Quiller-Couch, ed. The Oxford Book of English Verse: – William Butler Yeats. b. When You are Old. Get an answer for 'How is Romeo a tragic hero in Shakespeare's Romeo and Juliet?' and find homework help for other Romeo and Juliet questions at eNotes.
A vast bank of printable worksheet resources exploring how Shakespeare shows the changing character of Juliet.
Full scenes and language analysis of each key scene and worksheets for the scenes assessing how the character . Antigone: Theme Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
Romeo and Juliet: Analysis by Act and Scene. From Romeo and grupobittia.com Henry Norman Hudson. New York: Ginn and Co., INTRODUCTION. Tragedy as well as comedy deals with a conflict between an individual force (which may be centered either in one character or in a group of characters acting as one) and environing circumstances.