A man named Frank Ardolino came forward making the argument for a conflation of Christian and mythological interpretations of the work, displaying how "alongside with the Christian themes of reawakening, the sequences of natural imagery shown in order make the theme of life coming from death. William Jones made a comment in making the point that "the key motive that Miss Welty picked a Negro appears to be that merely a somewhat simple, remote individual is well-intentioned of demonstrating the influential forces which are inspiring a lot of things that are within the poem such as the love as hers that they have for her grandchild. Cooley, in difference, reasoned for a wider social reading of the story, giving a lot of criticism to the sentiment of the work and blaming Welty of not doing a good job at all with "developing her racial portraits with good enough sensitivity or any kind of deepness.
Wallace of Alabama, who built his political career on segregation and spent a tormented retirement arguing that he was not a racist in his heart, died Sunday night at Jackson Hospital in Montgomery. He was 79 and lived in Montgomery, Ala.
Wallace died of respiratory and cardiac arrest at 9: Wallace had been in declining health since being shot in his presidential campaign by a year-old drifter named Arthur Bremer.
Wallace, a Democrat who was a longtime champion of states' rights, dominated his own state for almost a generation.
But his wish was to be remembered as a man who might have been president and whose campaigns for that office inand established political trends that have dominated American politics for the last quarter of the 20th century.
He believed that his Eudora welty research paper campaigns made it possible for two other Southerners, Jimmy Carter and Bill Clinton, to be taken seriously as presidential candidates. He also argued ceaselessly that his theme of middle-class empowerment was borrowed by Richard Nixon in and then grabbed by another Californian, Ronald Reagan, as the spine of his triumphant populist conservatism.
In interviews later in his life, Wallace was always less keen to talk about his other major role in Southern history. After being elected to his first term as governor inhe became the foil for the huge protests that the Rev. Martin Luther King Jr.
As a young man, Wallace came boiling out of the sun-stricken, Rebel-haunted reaches of southeast Alabama to win the governorship on his second try. He became the only Alabamian ever sworn in for four terms as governor, winning elections in, and He retired at the end of his last term in January So great was his sway over Alabama that by the time he had been in office only two years, other candidates literally begged him for permission to put his slogan, "Stand Up for Alabama," on their billboards.
John Sparkman and Lister Hill, New Deal veterans who were powers in Washington and the national Democratic Party, feared to contradict him in public when he vowed to plunge the state into unrelenting confrontation with the federal government over the integration of schools, buses, restrooms and public places in Alabama.
It was a power built entirely on his promise to Alabama's white voting majority to continue the historic oppression of its disfranchised and largely impoverished black citizens.
And it was snapshots of the peak moments of Wallace's campaign of racial oppression that burned him into the nation's consciousness as the Deep South's most forceful political brawler since Huey Long of Louisiana.
In it, Wallace promised to protect the state's "Anglo-Saxon people" from "communistic amalgamation" with blacks and ended with the line that would haunt his later efforts to enter the Democratic mainstream: Within days, it was convincingly reported that Wallace, fearing jail for defying a federal court order, had privately promised President John Kennedy that he would step aside if first allowed to make a defiant speech.
Wallace's in-state critics denounced him for a "charade" that embarrassed the state.
But the cold splash of reality did not dampen his plans to use Alabama as a stepping stone to the national political arena and to the anti-Big-government speeches by which he obsessively longed to be remembered by history. Wallace talked of running for president in as a neo-Dixiecrat candidate.
But he backed off when the Republican nominee, Sen. Goldwater's move undercut Wallace's trademark assertion that "there's not a dime's worth of difference" between the two main parties on race. After the election, Wallace regretted his timidity because he thought Goldwater had run a campaign of comical ineptitude, and when came around, he invented a party, drafted the eccentric retired Air Force general Curtis LeMay as his running mate, and began draining away the lunch-pail vote from Nixon.
One reason for his success was that Wallace always campaigned "with the tense urgency of a squirrel," in the memorable description of one biographer, Marshall Frady. Another reason was that his message worked among disaffected whites everywhere, not just in the South. Wallace's political radar had picked up signals that Rust Belt workers and urban white ethnic Americans from Boston to Baltimore felt grumpy about black students in their neighborhood schools and black competitors in the workplace.
He cleaned up his language, but he used an expurgated list of demons -- liberals, Communists, the Eastern press, federal judges, "pointy-headed intellectuals" -- to tap out in code words an updated version of his fire-hardened message from the Heart of Dixie. It was race and rage.
This blend of color prejudice and economic grievance appealed to enough voters to win him more than 13 percent of the popular vote and five states in the presidential election.
In the race, he was running even stronger in the Democratic presidential primaries. He rattled the party's establishment with a second-place finish in Wisconsin and a rapid ascent in the polls. He also won primaries in Maryland and Michigan on May 16, but got the news in a hospital bed, having been shot and paralyzed on the day before the balloting.
The injury from Bremer's bullet became a "thorn in my flesh," Wallace later said, and the truncated campaign became a thorn in his psyche. He died believing that had he not been shot, popular appeal would have forced the Democratic Party to put him on the ticket in to keep Nixon from sweeping the Sun Belt and blue-collar enclaves in the Middle West and Northeast.
Wallace ran again in From the start, aides noticed that the applause dwindled once crowds saw his shiny wheelchair. Wallace noticed it, too, and in private he disputed friends who reminded him that Franklin Roosevelt had won despite crutches and wheelchair. Jimmy Carter of Georgia. Wallace wanted to be remembered for his shining moment in and the Main Street themes he brought to prominence.A Worn Path analysis research paper.
Eudora Welty's short story A Worn Path is an interesting work, full of symbolism. It explores a number of themes through the simple story of an elderly black woman in s Mississippi, walking along an arduous path to town to collect medicine for her grandson.
Free michael jackson papers, essays, and research papers. George Orwell^s vision of the world in the year is horrific and chilling.
Written in , this piece of literature is an everlasting classic that reminds us that history is a vital part of human. Eudora Welty Research Paper Eudora Welty: First Lady of Southern Literature Eudora Welty was born in Jackson, Mississippi on April 13, She was the oldest of three children and the only girl of a very close-knit family.
Eudora Welty research papers discuss American writer and photographer, winner of the Pulitzer Prize, and Presidential Medal of Freedom and the Order of the South, Eudora Welty.
Eudora Welty () was an American writer and photographer that is frequently studied in literature courses today.
A Worn Path Research Paper. Words Jun 27th, 4 Pages. Show More. In Eudora Welty’s “A Worn Path,” the character Phoenix Jackson is introduced. Phoenix Jackson is an uneducated, African-American woman without any family besides her sick grandson. Phoenix is the hero of this story and fits the role well by delivering much . Why I Live at the PO by Eudora Welty View Paper . Eudora Welty's "Why I Live at the P.O." is a convoluted tale of sibling rivalry, jealousy, and mistrust. The reader never quite knows who to believe: Sister the narrator, or. As a novelist I spend my days tasting the insides of words, breathing life into sentences that swim away under their own power, stringing together cables of poetry to hold up a narrative arc.
As a novelist I spend my days tasting the insides of words, breathing life into sentences that swim away under their own power, stringing together cables of poetry to hold up a narrative arc.